My work as an artist has conceptually been concerned with the theme of memory. Childhood recollections, in particular, play an important role. Experiences in both private and public spheres distort the memories from my early youth and contribute to perceptions and beliefs in adulthood. An idea or perceived certainty from childhood is difficult to alter and let go in order to mature intellectually and even spiritually. I have focused my exploration of this broad concept to addressing unresolved memories for healthy change in forming my identity. My work suggests this parting with the expectations of the past and active remembering. I use fragments of clothing, found objects and archival paper as a metaphor for memory or event in one’s life. Clothing belongs to a specific person, and the more it is worn, the more potent the memories. Insignificant objects, such as a floral printed apron or embroidery, can register as an archive, evoking memories of experiences that have shaped a personal or collective identity. I employ memory evoking materials with repetitive acts and strict process communicating one living in the present moment, embracing yet uninhibited by their past.